Overview

The stereo AUX input goes to the headphone and master outputs through a volume stage taken from TAPE’s Volume Engine, with a looper on the wet side of a dry/wet mix. The looper can record free-length loops or loops quantized to whole bars of an incoming MIDI clock. The white keys punch in effects on the mixed signal, and four dark keys save and recall their settings as scenes, next to one that clears them. A master compressor, set from the last white key, sits after the effects. The built-in microphone is not used.